Comments on: Caution: Sharp Edges https://www.thesoundprojector.com/2007/02/28/caution-sharp-edges/ Better Listening Through Imagination since 1996 Sun, 01 Aug 2021 21:58:02 +0000 hourly 1 By: James Dickinson https://www.thesoundprojector.com/2007/02/28/caution-sharp-edges/comment-page-1/#comment-5 Wed, 07 Mar 2007 00:28:44 +0000 http://www.thesoundprojector.com/2007/02/28/caution-sharp-edges/#comment-5 Goodness, John, I thought you had perished on the production floor. Someone must have called an ambulance. No takers for the free copies as yet. Does that mean people are afraid, or do all participants in this thread already have one? By the way, check out the site for Resonance 104.4 FM. There doesn’t seem to be anything like that around here. I am going to see if I can get it via my computer.
From the Office Above, JMD

]]> By: John LeMasney https://www.thesoundprojector.com/2007/02/28/caution-sharp-edges/comment-page-1/#comment-4 Tue, 06 Mar 2007 15:18:14 +0000 http://www.thesoundprojector.com/2007/02/28/caution-sharp-edges/#comment-4 I’m pretty sure our intent with that packaging, James, was to make sure that people exerted the proper effort to ‘get into’ the music – since the discs were given away freely, we wanted to make sure people payed with their blood. Sand down the edges, said you – Bah, says I!

’twas great fun to make. -j.

]]> By: James Dickinson https://www.thesoundprojector.com/2007/02/28/caution-sharp-edges/comment-page-1/#comment-3 Sun, 04 Mar 2007 23:01:48 +0000 http://www.thesoundprojector.com/2007/02/28/caution-sharp-edges/#comment-3 The landscape here in the United States is unfortunately littered with those, especially academics, who have perished trying to open the cd box for Music From An Exhibition. However, this was not the original intent of this project which was to make available the music composed for a sculpture exhibition at Rider Univerity Gallery. So a cautionary note here. Should the esteemed presenter of The Sound Projector survive its undoing, he will find inside the contraption the original musical contributions by Russell Collins (who at the time was a student of composition at Rider) and KK Null from Japan which accompanied the kinetic sculptures of Kuby Netz. The liner notes explain it all. I hope he eventually gets that far. (Hint: no special tools required.) In the spirit of transatlantic cooperation then, and to compensate for any blood that may have been spilled in Blighty on my account or those who contributed to this project, I can make a couple of copies of Music from An Exhibition available should anyone be ‘unhinged’ enough to ask for one.

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