The Sound Projector

1. Don Drummond, ‘Man in the Street’
   From The Trojan Story v/a comp (1972), UK TROJAN RECORDS CDTAL100 2xCD (1988 reissue)
2. Prince Francis, ‘Rock Fort Shock’
   From Studio One DJ’s v/a comp, UK SOULD JAZZ RECORDS SJRCD58 (2002)
3. King Tubby, ‘Casanova Dub’
   From Essential Dub comp, UK METRO METRCD021 CD (2000)
4. Augustus Pablo, ‘King Tubbys Meets Rockers Uptown’
   From King Tubbys Meets Rockers Uptown, JA ROCKERS INTERNATIONAL CDRP005 CD (REISSUE DATE UNKNOWN)
5. Lennie Hibbert, ‘Village Soul’
   From Studio One Rockers v/a comp, UK SOUL JAZZ RECORDS SJRCD48 (2001)
6. Lee ‘Scratch’ Perry & Dub Syndicate, ‘Music’
   From Time Boom X De Devil Dead, UK EMI 724353002626 CD (2001)
7. Lee Perry & The Upsetters, ‘Huzza A Hana’
   From Ape-Ology comp, UK TROJAN TJBDD361 2XCD (2007)
8. Niney & The Reggae Crusadors, ‘Couchie Dub’
   Unknown, from the collection of DJ Loris
9. The Ethiopian, ‘Muddy Water’ (1971)
   From Studio One Disco Mix v/a comp, UK SOUL JAZZ RECORDS SJRCD103 (2004)
10. Angela Prince, ‘No Bother With No Fuss’ (1966)
    From Studio One Women v/a comp, UK SOUL JAZZ RECORDS SJRCD121 CD (2005)
11. Jackie Mittoo and the Soul Brothers, ‘Voodoo Moon’ (1965-67)
    From Last Train to Skaville, UK SOUL JAZZ RECORDS SJRCD80 CD (2003)
12. King Tubby, ‘A Rougher Version’
    From Essential Dub, op cit.
13. African Headcharge, ‘Down Under Again’
    From Off the Beaten Track, FRANCE ON-U-SOUND ONULP40 LP (1986)
14. Dandy Livingstone, ‘Reggae In Your Jeggae’
    From Tighten Up Volumes One & Two v/a comp, UK TROJAN RECORDS CDTRL306 CD (REISSUE 1992)
15. Champion Doug Veitch, ‘Not the Heart’
    From The Original comp, UK BONGO RECORDS CDVLP01 LP (1989)
16. The Ethiopians, ‘Good Ambition’
    From Tighten Up Volumes Three & Four, UK TROJAN RECORDS CD (REISSUE 1992)
17. Lee ‘Scratch’ Perry, ‘Jungle (Radio Plate)’
    From UK ON-U SOUNDS SY6 7″ single (2008)
18. Dandy Livingstone, ‘Suzanne Beware of the Devil’
    From Tighten Up Volumes Five & Six v/a comp, UK TROJAN RECORDS CDTRL320 (REISSUE 1993)
19. Honey Boy Martin, ‘Dreader than Dread’
    From The Trojan Story, op cit.
20. Tommy McCork, ‘Revenge’
    From Yabby U, Jesus Dread: 1972-1977 comp, UK BLOOD AND FIRE BAFCD021 (1997)
21. The Fall, ‘Kimble’ (1992)
    From UK STRANGE FRUIT SFPS087 12″ single (1993)
22. The Meditations, ‘No Peace’
    From Lee Scratch Perry: Arkology comp, UK ISLAND JAMAICA CRNCD6/524379-2 3XCD (1997)
23. Burning Spear, ‘Foggy Road’
    From At Studio One, UK SOUL JAZZ RECORDS SJRLP101 (2004)
24. Sugar Minott, ‘Love and Understanding’ (1980)
    From Studio One Disco Mix, op cit.
25. Baba Brooks, ‘One-Eyed Giant’
    From The Trojan Story op cit.
26. The Bleechers, ‘Check Him Out’
    From The Upsetter and Friends: The Upsetter Collection comp, UK TROJAN TRLS195 LP (UNKNOWN)

The Sound Projector radio show,
originally broadcast on Resonance 104.4 FM

Bernard Bonnier recorded Casse-Tête in 1984 (or is it 1979?) and had it released on the Amaryllis label in France. There’s been an unofficial version on Creel Pone, but here it is in a fine authorised reissue digipack (ORAL CD 23) from Oral Records in Canada. It’s described as ‘musique concrète’, but Bonnier appears to have been an overlooked precursor to much New Wave and underground rock, and the bold mixing techniques on this record are much more appealing to these ears than the dessicated formal music currently issued on the Empreintes Digitales label, for example. Casse-Tête translates as “puzzle”, and the strange leering man on the cover has a face made of jigsaw-puzzle pieces. Very welcome record which I recommend.

Lawrence English recorded Kiri No Oto (TOUCH TONE 31) in Brisbane; it’s pretty much an anthem in praise of the oceans of the world and his friends who live across said oceans. Evocative titles such as ‘Organs Lost at Sea’, ‘White Spray’ and ‘Waves Sheer Light’ match up perfectly to the slow and solemn ambient music. Although English has made some quiet and imperceptible recordings in his pursuit of capturing the energy of nature, this one is very full-bodied. Jon Wozencroft has provided two suitably oceanic images. A record you can play alongside your Isis LPs.

tREEshutdown (smalPRINT SPRCD003) is a compilation produced and put together by Tim Kirby, who I think has been associated with Sonic Catering Band. He wrote or co-wrote all the songs and instrumentals on this CD, featuring performances credited to Ufolk, ReporterGB, Solvinia, Soundcutt, Noriiko, MaryHad and The Casio Consortium. Some of these may in fact be aliases for Tim – I know for a fact that Lessons Around Us, who also appears here, is him in his treated field-recording guise. Many of the pieces seem to be intelligent versions of slow and smoky electro-pop not a million miles away from Portishead, while torchy singers such as Caroline Pringle add their tasteful warbles. Apparently, 25 copies of the album have been attached to trees in Bristol; visit the smallPRINT link for further details.

Alex Mein Smith is a young New Zealander fellow living in the UK just now. Necessity’s Flame (HIGH TENSILE 02) is a drumming record where the beats are sufficiently roughed up, reprocessed and squelched into strange new sonic forms that keep it on the right side of experimental music. Over the top of his rather doom-laden hammering and pounding, Smith adds minimal melodies with guitar or moog. The CD has a solemn caste, but the overall effect is powerful and intriguing.

Invisible Bees are the London-based duo of Damian Burgess and Elin Eriksen. The CDR 1st (ANTI-GURU 001) arrives in a very convincing hand-made sleeve, covered with tons of symbolic images including a great skull on the front. The subdued almost-ceremonial music appears to have been made entirely in acoustic mode, using strings, accordion, harmonica, zither, recorders and percussion. The album is subtitled ‘insect music forms volume 1′, although it’s had to connect these opaque and perplexing musical statements with the life of insects. A quiet and mysterious record which may have hidden depths.

Black to Comm is mostly Marc Richter, the German one-man operation who also happens to run Dekorder Records. On Fractal Hair Geometry (DEKORDER 027), he delivers seven rich tracks of twisted, shape-shifting and overloaded drone noise with the help of Renate Nikolaus, Ulf Schütte, Jonnna Karanka and Guido Mobiüs. I’ve been slow to see the appeal of Black To Comm’s work, but moments of this new one are starting to make sense to me. There is certainly a lot to listen to, by which I mean every studio concoction has been well-baked in the oven and a rich fruit-cake of an album results. One of the surrealist track titles pays homage to Leigh Bowery, of all people. Gorgeous gatefold sleeve; a psychedelic painting-and-collage mind-meld from the hands of Oliver Ross.

Lastly here are the very fine Jupiterdogs, with Jupiterdogs (PALIMPSEST RECORDINGS PR09) or Jupiter Burn as it is also known. I think I have all three releases by this low-key UK duo trio. I am very fond of their gritty approach to wielding their instruments, which could be anything from piano to percussion or guitar or anything with strings they can scrape and pluck. Although not as seethingly bitter as their previous release, this short EP still has bucketloads of strange monotonous tensions and will keep you listening with bated breath. I like the way they seem to have bypassed all ‘conventional’ modes of normal improvisation, so they end up sounding like themselves, instead of trying to copycat the so-called big names in the improv world. This English label has a lot of good stuff which I recommend, particularly the amazing Dead Rat Orchestra who despite their off-putting name do a very good update on English folk music, combining it with all manner of outside influences.

1. Mute Socialite, ‘Cheap Clocks’
   From More Popular than Presidents and Generals, USA DEPHINE KNORMAL MUSIC DKM09 CD (2008)
2. Alex Mein Smith, ‘Bounders’
   From Necessity’s Flame, HIGH TENSILE 02 CD (2007)
3. Rhodri Davies and Louisa Martin, ‘Soldercup (edit)’
   From Beaterblocker comp, UK BBR 001 CD (2008)
4. Elodie Lauten, ‘Vision’ (1985)
   From The Death of Don Juan, USA UNSEEN WORLDS UW04 CD (2008)
5. Bernard Bonnier, ‘Le Grinçant Mr Smile’ (1984)
   From Casse-Tête, CANADA ORAL CD 23 (2008)
6. Nole Plastique, ‘Sunset Stipple’
   From Escaperhead, UKRAINE NEXSOUND NSP03 CD (2008)
7. Lawrence English, ‘Organs Lost at Sea’
   From Kiri No Oto, UK TOUCH TONE 31 CD (2008)
8. Clutter vs Susan Matthews, ‘Corrosive Corrosive’
   From Slow Corrosion EP, UK EARTH MONKEY PRODUCTIONS EMC002 3” CD (2008)
9. Giuseppe Ielasi, (Track 3)
   From Stunt, USA SCHOOLMAP SCHOOL4 VINYL EP (2008)
10. Arne Mellnäs, ‘Nite Music’ (1964)
    From Forerunners. Swedish Electronic and Concrete Music 1955-65, SWEDEN FYLKINGEN RECORDS FYCD 1027 CD (2008)
11. Black To Comm, ‘Play Eggchess 3′
    From Fractal Hair Geometry, GERMANY DEKORDER 027 CD (2008)
12. Chris Watson, ‘Cima Verde’
    From Cima Verde, ITALY FONDAZIONE EDMUND MACH AND LOL PRODUCTIONS CD (2008)
13. O.S.T., ‘Guilsnu’
    From Waetka, SWEDEN IDEAL RECORDINGS iDEAL 042 CD (2008)
14. Lessons Around Us, ‘Fernwerk Rebel’
    From Treeshutdown comp., UK smallPRINT RECORDS SPRCD003 CD (2008)
15. Jupiterdogs, ‘Jupiter Burn’
    From Jupiter Burn, UK PALIMPSEST RECORDINGS PR09 3”CD (2008)
16. The Noiser, ‘crisssemenet argrorgrer’
    From trilogie des fantomes, FREE SOFTWARE SERIES FREE SS 07 CD (2008)

The Sound Projector radio show,
originally broadcast on Resonance 104.4 FM

Those gorgeous blonde Swedes at Fylkingen Records have sent a compilation CD called Forerunners: Swedish Electronic and Concrete Music 1955-65. It’s got all the big names (or at least some I recognise) you’d expect, including the greats Rune Lindblad, Ralph Lundsten, Sten Hanson, Lars-Gunnar Bodin and Bengt Hambraeus, plus many others including Arne Mellnäs, Åke Karlung and Karl-Birger Blomdahl. Inside there’s a handy booklet with notes by Sten Hanson and photographs of the composers who look like a very studious lot, often photographed in suit and tie to emphasise their stolidity. Apparently Sweden didn’t get its own electroacoustic studio until late 1965, which may account for why a lot of these pieces were realised in places like Cologne, Paris and San Francisco. My favourite piece so far is called ‘Nite Music’, recorded in 1964.

The Death of Don Juan (UNSEEN WORLDS UW04) looks a promising suite by New York composer Elodie Lauten. Plenty of mannered operatic voices and Fairlight keyboards combining in a post-Philip Glass setting. Unseen Worlds have rescued this 1985 recording from the Cat Collectors Productions label with this reissue. Apparently it’s more ‘about the myth rather than the story of Don Juan’, and purports to be an ‘opera of consciousness’. Seems pretty mesmerising from what I’ve skimmed. Anything with a ‘Kyrie’ will always get my vote!

O.S.T. is Chris Douglas. Based in Berlin he recorded Waetka (IDEAL RECORDINGS iDEAL 042) between 2004 and 2006. Apparently he’s a troubled fellow who comes to avant-garde music from a history of Garage and Techno, areas which are a closed shop to me. No heavy beats on this record though, just plenty of paranoia and darkness, veering wildly from a black pulsing Hell one moment to a wintry Ambient doom the next. Very promising indeed.

Oddity of the month comes from Ibrahim R Ineke, from his home in The Hague. I’m not sure what it is called. It’s a collaboration between a band and a comic-book artist, except that neither has any connection with each other. The comic book was originally issued as Islamic Gothic issues 1-3, now collected into a single book bound in corrugated card, hand-sewn in an edition of 100 copies. The CDR features three tracks of power-chord guitar rock by Brachland, music which is not intended as a ’soundtrack’ to the book. I’d say the comic is slightly more appealing than the aggressive music, but it’s also largely incomprehensible on first read. What comes across however is the artist has a very cinematic sensibility, with unusual découpage, film-noir influenced lighting effects, and long-shots rendered as panoramic full panels. Contact the artist here.

Any new record by Chris Watson is an important event (he doesn’t release much, and every release is always excellent). Cima Verde (Fondazione Edmund Mach and LoL Productions) is a new collection of field recordings, and the same title was used at a sound installation for the exhibition Auditory Epode. “This is sound into light”, is how Watson describes this record. “Down alpine slopes, across high pastures and into the forests a frozen mountain of sound thaws out from a mono block and into an ordered seven stage descent through 3000m of unique acoustic habitats…a series of ritual performances for animal ears”. Here, the work is documented with colour photographs and a note of of the altitude where the piece was captured as Watson made his descent. The undisputed emperor of field recordings, Watson should also be given credit for reaching into places where few musicians (few people for that matter) dare to tread, and is fetching back documents whose value as environmental records will be immeasurable in years to come. For the time being, they also make beautiful listening. May be available from the Touch Shop.

1. Todd Rundgren, ‘Sometimes I don’t know what to feel’ (1973)
   From A Wizard, A True Star, UK CASTLE COMMUNICATIONS CLACD 134 CD (1987)
2. Help Yourself, ‘Your Eyes are Looking Down’ (1971)
   From Help Yourself, UK BEAT GOES ON RECORDS BGO LP52 LP
3. Van Dyke Parks, ‘Orange Crate Art’
   From Moonlighting. Live at the Ash Grove, USA WARNER BROS RECORDS 9 46533-2 CD (1998)
4. Lowell George, ‘Two Trains’
   From Thanks I’ll Eat It Here, UK WARNER BROS / WEA RECORDS K56487 LP (1979)
5. David Bowie, ‘Let me sleep beside you’
   From Bowie at The Beeb. The Best of the BBC Radio Sessions 68-72, UK EMI / BBC MUSIC 7243 528629 2 4 2 x CD (2000)
6. The Bonzos, ‘Alley Oop’ (1966)
   From Gorilla (digital remaster), UK EMI 0946 387889 2 8 CD (2007)
7. John Cale, ‘Ship of Fools’ (1974)
   From The Island Years, USA ISLAND RECORDS 314 524 235-2 2 x CD (1996)
8. Pavlov’s Dog, ‘Julia’ (1976)
   From Pampered Menial, USA COLUMBIA 32480 1 LP
9. The Band, ‘In A Station’ (1968)
   From Music From Big Pink, [EUROPEAN UNION] CAPITOL RECORDS 7243 5 25390 2 4 CD (2000)
10. Ry Cooder, ‘Goin’ to Brownsville’ (1970)
    From Ry Cooder, GERMANY REPRISE RECORDS 44093 LP
11. Warren Zevon, ‘Accidentally like a Martyr’ (1978)
    From Excitable Boy, GERMANY ELEKTRA / ASYLUM RECORDS 7559-60521-2 CD
12. The Holy Modal Rounders, ‘Voodoo Queen Marie’
    From Alleged in Their Own Time, USA ROUNDER RECORDS 3004 LP (1975)
13. Bob Dylan, ‘Love Henry’
    From World Gone Wrong, UK COLUMBIA 474857 2 CD (1993)
14. Terry Reid, ‘Things to Try’ (1973)
    From River, USA WATER 107 CD (2002)
15. Michael Hurley, ‘I Paint a Design’
    From Watertower, USA FUNDAMENTAL MUSIC SAVE 051 LP (1988)
16. David Crosby, ‘Laughing’ (1971)
    From If I Could Only Remember My Name, GERMANY ATLANTIC 7567-81415-2 CD
17. The Byrds, ‘Going Back’ (1968)
    From The Notorious Byrd Brothers, USA COLUMBIA LEGACY 486751 2 CD (1997)
18. Michael Hurley / The Unholy Modal Rounders / Jeffrey Fredericks and The Clamtones, ‘Slurf Song’
    From Have Moicy!, USA ROUNDER RECORDS 3010 LP (1975)
19. Randy Newman, ‘Living Without You’ (1968)
    From Randy Newman Creates Something New Under the Sun, GERMANY WARNER MUSIC 7599-26705-2 CD
20. Fairport Convention, ‘If I had a Ribbon Bow’ (1968)
    From Fairport Convention (remastered), UK POLYDOR 068 291-2 CD (2003)
21. Kate Bush, ‘Blow Away’ (1980)
    From Never For Ever, JAPAN EMI RECORDS TOCP-67817 CD (2006)
22. The Band, ‘Yazoo St Scandal’
    From Music From Big Pink, op cit.
23. Neil Young, ‘See the Sky About to Rain’ (1974)
    From On The Beach, GERMANY WARNER MUSIC GROUP 9362-48497-2 CD

The Sound Projector radio show,
originally broadcast on Resonance 104.4 FM

Amor Fati is a French record label operating out of Bordeaux since 2003. Mathieu Immer kindly sent us a generous boxload of releases, which may represent a good chunk of the improvised music and free jazz available on this label. Only had time to skim a couple of ‘em…Bejamin Bondonneau and Fabrice Charles recorded Dordogne (FATUM 011) in situ at various points along the river of that name, during the Autumn of 2006, producing nice effects from clarinet and trombone in the open air and plenty of fish imagery on the cover. Make mine mackerel! … Gianni Grégory Fornet’s solo guitar record is Troppo Tintu è Addivintatu lu Munnu (FAUTUM 010), and while he’s no Fred Frith I guess his half-baked attempts at atonal, spiky improvising are preferable to his more ‘tasteful’ modes. He’s skilled, but mainly as a pasticheur. … Nice to see another release from Jean-Luc Guionnet, who’s a very fine sax player and occasional organist of no mean talent. He’s joined by the bass player Benjamin Duboc for W (FATUM 012), a single-take 40-minute improvisation of incredible quietness and emptiness, interrupted only by perplexing creaks and plops. Talk about your minimal improv…even Another Timbre Records would baulk at this one. If you want something a bit more maximal, then you could spin Sylvain Guérineau’s Dies Irae (FATUM 013), an epic solo workout for which he provides music and painting on the cover. His work on the alto and baritone saxes is hearty and full with plenty of overblowing and ’shouting’ into the mouthpiece, in the style of Afro-American free jazzers, although Sylvain’s take on the style is much more intellectualised; I don’t really hear a ‘day of wrath’ so much as a slightly-piqued grumble, but it’s a good rich sound (no doubt because it was recorded in a church). Also in the box, albums by Paul Rogers, Trio De Batterie, 3 Rocks and a Sock, Pascal Battus, Free Unfold Trio, and something called The Gernika Suite by Ronnie Lynn Patterson and Didier Lasserre. As you’ve probably noticed, the covers for these are all handmade, and Mathieu Immer assures me that this makes every single one a potential collector’s item. Maybe. Most of them simply have streaks of paint dribbled across the boards, producing none of the pent-up fury of a Jackson Pollock, but simply creating a banal and decorative effect. As for the other sleeves, they’re pretty, but frankly I’ve seen more interesting images on the hand-painted coasters sold by the woman who sits outside Brixton station.

Show compiled by Philip Sanderson (spoken word elements) and Ed Pinsent (music selections), based on an idea by Philip Sanderson

Philip’s home page
Philip’s blog

1. Charles Kebbe, extract from The Harper’s Bazaar Success Formula for a Beautiful Speaking Voice: How to Acquire Poise and Self-Assurance with Simple Exercises for Voice Improvement, USA HARMONY COLUMBIA HL 7296, LP (1960?)
   Charles Dodge, extract from Cascando, USA CRI 454 LP (1983)
2. Reg Butler, (Side B Track 1)
   From 5 British Sculptors talk, UK CAEDMON RECORDS TC1181 LP (1965)
   The New Blockaders, ‘Morden Tower 01/84′
   From Gesamtnichtswerk, UK HYPNAGOGIA TNB20 4 x CD (2003)
3. Charlie Daniels, ‘Tuning Tips’ (Side A track 2)
   From Teach Yourself Rock Guitar, USA STALLION / BUSAR RECORDS BUSAR LP 243 (1975)
   Fred Frith, ‘What a Dilemma’ (1980)
   From Gravity, UK ReR MEGACORP / FRO 01 CD (2001)
4. W B Yeats, ‘The Fiddler of Dooney’
   From Yeats & Auden, UK OPEN UNIVERSITY OU24 LP (1976)
   Maths Balance Volumes, ‘Elegy for Breeze von Goodyear’
   From Bound With Skin comp., USA SKULLS OF HEAVEN SKULL001 5 x CD (2007)
5. Albert Chambers, ‘The Impossible Thing/Sermon’
   From REVELATION RECORDS DER1450 LP (ND)
   The Tony Williams Lifetime, ‘There Comes a Time’ (1971)
   From Spectrum: The Anthology, POLYGRAM 537 075-2 2 x CD (1997)
6. Hywel Davies, ‘Dawn on the River’
   From The London Record, UK MARBLE ARCH MALS 1256 LP (1961)
   Popol Vuh, ‘Du Sohn Davids I’ (1975)
   From Das Hohelied Salomos, FRANCE SPALAX 14211 CD (1992)
7. James Joyce, ‘Part 1 of Finnegans Wake’
   From Literature Poems & Prose, UK OPEN UNIVERSITY OU52 LP (1978)
   Paysage d’Hiver, ‘Moloch’
   From Schattengang, KUNSTHALL PRODUCTIONEN 016 CD (2006)
8. Edward Heath, ‘Addressing the Party Conference’
   From Literature Poems & Prose, op cit.
   Paysage d’Hiver, ‘Atmosphaere’
   From Schattengang, op cit.
9. ‘Phone in Conversation’
   From Literature Poems & Prose, op cit.
   Fennesz, ‘gr-500′
   From Hotel Parall.lel, AUSTRIA MEGO 016 CD (1999)
10. Richard Baker, (Side 2)
    From Audio Past Present & Future, UK Audio Magazine Flexi 7″ (1970?)

11. Ralph M Lewis, ‘Cosmic Consciousness’
    From Attaining Cosmic Consciousness, USA ROSICRUCIAN RECORDS 5 LP (ND)
    Sun Ra and His Myth Science Arkestra, ‘Adventure-Equation’ (1963)
    From Cosmic Tones for Mental Therapy, USA EVIDENCE ECD 22036-2 CD (1992)
12. Johnny Morris, ‘Charlie & Gladys the Warthogs’ & ‘Lulu the Baby Seal’
    From Bedtime Stories, UK BBC RECORDS REC 264 LP (1977)
    If, Bwana, ‘Day 8: McKenna’s Brain’
    From Fire Chorus, ITALY ANTS AG09 CD (2004)
13. Eileen Fowler, ‘Feeling Fine’
    From Keep Fit with Eileen Fowler, UK COLUMBIA DB 4613 7″ single (1961)
    Charles Dodge, extract from Cascando, CRI 454, LP (1983)
14. Vincent Price, extracts from Vincent Price reads Shelley, (Side 1 & 2), UK CAEDMON TCE157 7″ EP (1960?)
    Wolfmangler, ‘Uneasy Autumn Moan’ + ‘In The East’
    From Cooking With Wolves, USA DIGITALIS ACE002 CD (2008)
15. Yvonne Pooley, (Side 1)
    From Morse Code for Airmen, UK AIRTOURS PRODUCTS RYP 1 LP (1969)
    Åke Hodell, ‘Structures III (part 3)’
    From Verbal Brainwash, SWEDEN FYLKINGEN RECORDS FYCD 1018-1-2-3 (2000)
16. Extract from How to give yourself a stereo check-out (Side 1), UK DECCA SKL 4861 LP (1967)
    Ryoji Ikeda, extracts from 0°C, UK TOUCH TO:38 CD (1998)
    Henry Blair, Sparky’s Magic Piano (Side 1), EAP 1-3003 7″ EP (1960?)
    Charles Dodge, extract from Cascando, CRI 454, LP (1983)
17. Tony Hancock, extract from Little Pieces of Hancock, UK PYE NEP 24146 7″ EP (1960?)
    Bruce Gilbert, ‘OGKR’
    From Ab Ovo, UK MUTE CDSTUMM117 (1996)
18. Francis Lai, Theme from Love Story (Finale), UNIVERSAL LP (1970)
    Philip Sanderson, incidental circuit bent music

The Sound Projector radio show,
originally broadcast on Resonance 104.4 FM