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	<title>
	Comments on: The Secret Identity of Ennio Morricone	</title>
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	<link>https://www.thesoundprojector.com/2009/12/12/ennio-morricone/</link>
	<description>Better Listening Through Imagination since 1996</description>
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		<title>
		By: Alessandro Monti		</title>
		<link>https://www.thesoundprojector.com/2009/12/12/ennio-morricone/comment-page-1/#comment-143</link>

		<dc:creator><![CDATA[Alessandro Monti]]></dc:creator>
		<pubDate>Wed, 03 Feb 2010 23:18:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.thesoundprojector.com/?p=1929#comment-143</guid>

					<description><![CDATA[Hello from Venice, Italy. I just heard the entire Morricone special now in full stereo on my speakers and I must admit you did a remarkable piece of work... I was curious and you choosed so many obscure &#038; brilliant tracks. I own many soundtracks by E.M. (mostly Italian releases on the Dagored, Cinevox &#038; Cam/GDM labels) but you surprised me with a lot of interesting &#038; unusual selections: some of them were obviously taken from rare import cds/compilations. Uhmmm... the spelling was very hard for you sometimes (LOL!) but I wish to thank you for this competent podcast: I&#039;ll get back to it often... there is so much to learn here!
Personal E.M. favourites are: &quot;Città Violenta&quot;, &quot;Invenzione per John&quot; and the amazing psychedelic mass &quot;Il sorriso del grande tentatore&quot;.]]></description>
			<content:encoded><![CDATA[<p>Hello from Venice, Italy. I just heard the entire Morricone special now in full stereo on my speakers and I must admit you did a remarkable piece of work&#8230; I was curious and you choosed so many obscure &amp; brilliant tracks. I own many soundtracks by E.M. (mostly Italian releases on the Dagored, Cinevox &amp; Cam/GDM labels) but you surprised me with a lot of interesting &amp; unusual selections: some of them were obviously taken from rare import cds/compilations. Uhmmm&#8230; the spelling was very hard for you sometimes (LOL!) but I wish to thank you for this competent podcast: I&#8217;ll get back to it often&#8230; there is so much to learn here!<br />
Personal E.M. favourites are: &#8220;Città Violenta&#8221;, &#8220;Invenzione per John&#8221; and the amazing psychedelic mass &#8220;Il sorriso del grande tentatore&#8221;.</p>
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		<item>
		<title>
		By: Harley		</title>
		<link>https://www.thesoundprojector.com/2009/12/12/ennio-morricone/comment-page-1/#comment-145</link>

		<dc:creator><![CDATA[Harley]]></dc:creator>
		<pubDate>Sun, 03 Jan 2010 16:22:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.thesoundprojector.com/?p=1929#comment-145</guid>

					<description><![CDATA[ps I&#039;ve added original release dates for most of the remaining tracks.  In some cases these will  be the release date of the films the tracks came from as I&#039;m not sure if audio soundtracks were always released.]]></description>
			<content:encoded><![CDATA[<p>ps I&#8217;ve added original release dates for most of the remaining tracks.  In some cases these will  be the release date of the films the tracks came from as I&#8217;m not sure if audio soundtracks were always released.</p>
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			</item>
		<item>
		<title>
		By: Harley		</title>
		<link>https://www.thesoundprojector.com/2009/12/12/ennio-morricone/comment-page-1/#comment-144</link>

		<dc:creator><![CDATA[Harley]]></dc:creator>
		<pubDate>Sun, 03 Jan 2010 16:19:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.thesoundprojector.com/?p=1929#comment-144</guid>

					<description><![CDATA[Glad you enjoyed the Ennio show David, and thanks for the tip about Matto Caldo... I&#039;ve been looking for that version for years.]]></description>
			<content:encoded><![CDATA[<p>Glad you enjoyed the Ennio show David, and thanks for the tip about Matto Caldo&#8230; I&#8217;ve been looking for that version for years.</p>
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		<item>
		<title>
		By: David		</title>
		<link>https://www.thesoundprojector.com/2009/12/12/ennio-morricone/comment-page-1/#comment-141</link>

		<dc:creator><![CDATA[David]]></dc:creator>
		<pubDate>Sun, 13 Dec 2009 17:19:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.thesoundprojector.com/?p=1929#comment-141</guid>

					<description><![CDATA[Oh and you&#039;re right Ed I think &#039;Duck you Sucker&#039; is prob the best. It doesn&#039;t have the chutzpah of the dollars or the groovy sexiness of the crimes but I have never heard something so achingly fatalistic in its emotional evocation.

&#039;Dopo L&#039;esplosione&#039; is without doubt one of the saddest and most beautiful tunes in the world.

Invenzione Per John...Scherzi A Parte...waffle waffle...

Excuse the enthusiasm Gents.]]></description>
			<content:encoded><![CDATA[<p>Oh and you&#8217;re right Ed I think &#8216;Duck you Sucker&#8217; is prob the best. It doesn&#8217;t have the chutzpah of the dollars or the groovy sexiness of the crimes but I have never heard something so achingly fatalistic in its emotional evocation.</p>
<p>&#8216;Dopo L&#8217;esplosione&#8217; is without doubt one of the saddest and most beautiful tunes in the world.</p>
<p>Invenzione Per John&#8230;Scherzi A Parte&#8230;waffle waffle&#8230;</p>
<p>Excuse the enthusiasm Gents.</p>
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		<item>
		<title>
		By: David		</title>
		<link>https://www.thesoundprojector.com/2009/12/12/ennio-morricone/comment-page-1/#comment-142</link>

		<dc:creator><![CDATA[David]]></dc:creator>
		<pubDate>Sun, 13 Dec 2009 15:49:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.thesoundprojector.com/?p=1929#comment-142</guid>

					<description><![CDATA[Cooking on gas with this one gentlemen!

Loads of stuff I ain&#039;t heard either.

With regards to Allesandroni, as far as I can tell Moderni was HIS vocal group that he started and Edie D&#039;Elorso was pretty much the lead. Allesandroni arranged and conducted the vocals, and I suspect an awful lot more (he plays the guitar on the spaghettis I&#039;m certain) and is maybe a contender for writing credits with Nicolai.

Though I&#039;m no real authority. &#039;Scuse the spelling as well.

Perhaps that is why that stuff is so uniquely brilliant and perhaps 60/70&#039;s &#039;Morricone&#039; is some kind of collective noun?

You know there is a more meaty fully realised version of Matto, Caldo etc? Heavy on the bass, vocals and a truly amazing breakdown into the &#039;wun, wun&#039; thing. I found it on a cheap and cheerful cd/book Morricone Bossa (has all the posters from the films) I would say it rivals Je t&#039;aime for the crown of perfect realised late 60s sexy &#039;continental&#039; pop.

Oh hell I&#039;ll send it to you, no harm done if you got it eh?]]></description>
			<content:encoded><![CDATA[<p>Cooking on gas with this one gentlemen!</p>
<p>Loads of stuff I ain&#8217;t heard either.</p>
<p>With regards to Allesandroni, as far as I can tell Moderni was HIS vocal group that he started and Edie D&#8217;Elorso was pretty much the lead. Allesandroni arranged and conducted the vocals, and I suspect an awful lot more (he plays the guitar on the spaghettis I&#8217;m certain) and is maybe a contender for writing credits with Nicolai.</p>
<p>Though I&#8217;m no real authority. &#8216;Scuse the spelling as well.</p>
<p>Perhaps that is why that stuff is so uniquely brilliant and perhaps 60/70&#8217;s &#8216;Morricone&#8217; is some kind of collective noun?</p>
<p>You know there is a more meaty fully realised version of Matto, Caldo etc? Heavy on the bass, vocals and a truly amazing breakdown into the &#8216;wun, wun&#8217; thing. I found it on a cheap and cheerful cd/book Morricone Bossa (has all the posters from the films) I would say it rivals Je t&#8217;aime for the crown of perfect realised late 60s sexy &#8216;continental&#8217; pop.</p>
<p>Oh hell I&#8217;ll send it to you, no harm done if you got it eh?</p>
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