Long Overdue Part 2

tbc33

A nice old one from 2010, when giants walked the earth. TBC / Das Synthetische Mischgewebe split it up nice inside a DVD cover. German avant-garde sound art at its most marginal and brutally difficult. ‘Notre Besoin D’attachement Est Aussi Celui De Rupture’ declares DSM, i.e. Guido Huebner, who unfailingly produces the most mystifying sound art on the European continent. On this one, lasting for over 39 minutes, the sounds are quiet and understated, completely unrecognisable, and impossible to understand. As ever, everything appears disconnected and untidy. It’s not that DSM violates the rules of formal composition, rather he/they have posited an entire universe where such rules don’t even exist. If what Guido believes is true, then it’s likely that even the laws of physics can also be challenged, and we can all walk around defying gravity. “Entrancing electroacoustic/industrial mess”, says the cipher productions website.

TBC is Thomas Beck from Hamburg. Besides doing sound art, he also had a radio programme and a magazine. He’s been producing a lot of stuff under his own Wachsender Prozess label since 1997. Here he turns in 20 mins of ‘They Never Come To Hit The Public’. Whereas I think DSM’s stuff is largely produced by junk and physical objects (sometimes…), this one by Beck was generated with synthesisers, tapes, mixing desk, and so forth. Much more noticeable than the low-key DSM track, Beck’s work gets pretty noisy and agitated here, uses plenty of cross-cuts and timbral clashes, and overall there’s a lot more aural damage per square metre on offer. Quite “industrial” in texture, but none of your infantile pounding rhythms or sense of imminent doom. Beck is quite serious about exploring the potentialities of his sounds and his methods. The CD was released jointly by Wachsender Prozess (WP31) and Reduktive Musiken (redukt014).

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