Secret Reproductive Plant

Enjoyable set of entertaining distortion, noise, electronics and rhythmic pulsations from The Miz’ries, on their EP Complete Control Of Your Vehicle (BELTS & WHISTLES B&W005). They’re pretty much a trio operating in New York, featuring Quinn Collins, Jeff Snyder, and Leila Adu, though on this outing they’re joined by Crosslegged who I think is Keba Robinson from Split Level Records and is known as a mover and shaker in Brooklyn music circles. Miz’ries create a nice surface sound, using loops and malfunctioning turntables pushed through pedals and distortion effects, and their own brand of cracked electronic blurpage some of which was invented and built by Jeff Snyder – he even calls it Snyderphonics, perhaps in homage to The Simeon of Silver Apples.

On top of their barely-working layered stew of avant-pop rhythms, Leila Adu adds her poised and mannered soprano vocals – now singing, now humming background tunes, or in one instance muttering snippets of nonsense in the studio, which have been further cut up and redistributed as needed around the track. She’s also pretty mean with her drum pad playing, deliberately missing the beat and contributing lopsided time signatures. On paper, this may sound like a recasting of the Portishead set-up, but in a less polite and more angstified arty mode; The Miz’ries are certainly darker and troubled, sometimes with a vaguely political edge (Adu’s songs are supposed to contain elements of politics and ballads, though I can discern neither), and will never settle for anything that resembles a familiar sound, note, or vibe in their quest for surprising aural goodiness. They also see themselves as a pop band, working within three or four minute boundaries, instead of extending these workouts into something three times the needed length (which PAS Musique, fellow Brooklynites, would not hesitate to do).

As to their intensive working method, which involves improvisation in the studio, much distortion and effects, editing and composing from tapes, it’s clearly paid off in this instance, even if some of the experiments misfire slightly. The press notes compare this method to Miles Davis (presumably they mean Teo Macero rather than Miles, but fair enough) and Can, but if we’re namechecking krautrock bands I think Faust’s method is more apposite…From 22 September 2016.

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