Seen To Remain (Kirigirisu Recordings kgr049) is by Fletina, the Scottish sound artist who’s dedicated to making field recordings of
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Better Listening Through Imagination since 1996
Seen To Remain (Kirigirisu Recordings kgr049) is by Fletina, the Scottish sound artist who’s dedicated to making field recordings of
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David Vélez is the Columbian sound artist based in Huddersfield who happens to be an expert in bio-acoustics, and is
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Andreas Trobollowitsch has surfaced here a number of times over the years, to varying degrees of success with his experiments
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Four cassettes we received from the Soundholes label, which also has a sister label devoted to live recordings only. All
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Here’s a real nice one by Bruno Duplant. Everyone knows that we can hear the voices of dead people on
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Spontaneous Dimensions (SUBLIME RETREAT SR020) is an album by Taras Opanasiuk, under the guise Innovative Landscapes Laboratory. As the world
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Swiss-born experimenter Christof Migone hasn’t quite “landed” with us on his recent releases – Swan Song (drone produced from old
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New Zealand-born composer John Young here with Espaces Lointains (empreintes DIGITALes IMED 24186), showcasing his interest in combining sound sources
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Another unclassifiable piece by Icelandic genius Guðmundur Steinn Gunnarsson, whose strange work continues to defy rational sense and occupies its
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German experimenter Marc Behrens here with Clould (CRÓNICA 220-2024), his latest conceptual electroacoustic work. We’re still reeling from Mut Att
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