September 2017 – The Sound Projector

30/09/2017 Ed Pinsent

Resistant Materials

Enjoying Broken Ground (empreintes DIGITALes IMED 17141) by Christian Bouchard…this award-winning Montreal composer studied under Yves Daoust and has been

30/09/2017 Ed Pinsent

Fog Machine

Good old cindytalk (Gordon Sharp) endears his work to me more every time. He’s becoming less of an anonymous ambient

30/09/2017 Ed Pinsent

Radiesthesia

Throttle and Calibration (HELEN SCARSDALE AGENCY HMS040) is the latest tape release from Jim Haynes, presented here as a beast

29/09/2017 Ed Pinsent

Zeuhl

The Sound Projector Radio Show Friday 29th September 2017 Eskaton, ‘Eskaton’ From 4 Visions (recorded in 1978) Archaïa, ‘Le Festin

25/09/2017 Ed Pinsent

A Dry Season

We last heard the trio Hübsch / Martel / Zoubek in 2014 with their release for Schraum, for which Jeff

25/09/2017 Ed Pinsent

Owl Eyes

Now for some delightfully fey and wispy psychedelic acoustic folk from Aberdeen. The duo of Barrett’s Dottled Beauty is our

24/09/2017 Stuart Marshall

Jazz Hands

APUH! Freedom Of Peach SWEDEN PÄLSROBOT RECORDS PRCD006 (2017) Swedish jazz hands APUH! strike me as a worthy trio of

23/09/2017 Ed Pinsent

Delightful Blindness

Winter Family is the duo of Ruth Rosenthal and Xavier Klaine, and describe themselves as an “Israeli-French duo living in

23/09/2017 Ed Pinsent

Obviously In The Room

We were pretty impressed by Adam Gołębiewski’s solo record Pool North in 2016, a percussion set with a memorable image

23/09/2017 Ed Pinsent

Help Me With My Mind

We could hardly accuse Perlonex, the Berlin trio of electro-acoustic players, of being excessive or prolific in their releases, and