Irish composer Fergus Kelly continues to mine his preoccupation with sampling post-punk music on Swarm Logic (ROOM TEMPERATURE RTCD20), following
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Better Listening Through Imagination since 1996
Irish composer Fergus Kelly continues to mine his preoccupation with sampling post-punk music on Swarm Logic (ROOM TEMPERATURE RTCD20), following
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Kate Moore Ridgeway NETHERLANDS Unsounds 75U CD (2023) Kate Moore is a relatively prolific Australian composer and former sound artist,
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Very extreme minimalist experiment on A Falling Sound (INSUB. RECORDS insub.rec.cd26), a two-disc set from the team of Jacques Demierre
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Christian Bouchard from Quebec is one who’s clearly very engaged with the world, its environment, its events, its inhabitants; on
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French-Canadian sound artist and composer Léa Boudreau brings us five recent (2017-2022) pieces on her Limaçon (EMPREINTES DIGITales IMED 23184),
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Happy to hear Musical Offering (COLD SPRING RECORDS CSR326CD) – a compilation of five Russian composers all performing their work
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ORD Hemligheter på vägen Swedeb Havtorn Records HR066 CD (2022) ORD’s first album is part improvisation, part singer-songwriter, part composition
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Contemporary musique concrète from Canada on Lames de Fond (empreintes DIGITALes IMED 22178), credited to two Quebec musicians – the
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Excellent double-disc set of pieces from Stockhausen’s Klavierstücke, performed here by the Tokyo-born pianist and composer Miharu Ogura on Ogura
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Very unusual record is Break A Leg (GEIGER GRAMMOFON GGCD12) by the contemporary Scandinavian ensemble who call themselves Gahlmm. Names
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