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Better Listening Through Imagination since 1996

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Tag: electronic

21/01/2023 nausika

Elvis: a fun witty compilation of songs on Elvis Presley’s legend and its exploitation

Various Artists, Elvis, United Kingdom, Penultimate Press, digital release (2023) Usually we don’t review items if they don’t have a

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11/01/2023 nausika

III, Ascension: cycle of life, death and beyond portrayed in an immersive epic experimental soundtrack

Feigur, III, Ascension, France, Steelwork Maschine, SMR024 CD, vinyl LP (2022) Formed in 2007 by French multi-instrumentalist Adrien Tibi, originally

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09/01/2023 Ed Pinsent

We Built This City on Tectonic Foundations

American player Liz Allbee is a firm favourite in these pages since 2005 and her first release for Resipiscent…trumpet player

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06/01/2023 Ed Pinsent

Animus Inviolabilis

Giacinto Scelsi / Stefan Goldmann / Jeremias SchwarzerSferaGERMANY MACRO M64 CD (2022)Unusual and excellent record of modern music that gives

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03/01/2023 Steve Pescott

Molecular Bonding

Philip Sanderson Passionate Particles AUSTRIA KLANGGALERIE RECORDS GG378 C.D. (2021) Following on a little from the Storm Bugs’ A Safe

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30/12/2022 nausika

Ode to the Bearer of Good News: overblown symphonic rock kitsch and dreamy space ambient electronics in Olympic Games music soundtrack

Edward Artemyev, Ode to the Bearer of Good News, USSR, Melodiya, C60 21277 005 vinyl LP (recorded 1980, released 1984)

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29/12/2022 Ed Pinsent

Quadrature of the Parabola

Full marks for effort, research, and labour-intensiveness to US composer James Dashow for Archimedes: A Planetarium Opera (NEUMA RECORDS NEUMA

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22/12/2022 Ed Pinsent

The Pain of Listening

Swedish dark droner Jarl continues a preoccupation with hearing disorders, as noted on previous release Hyperacusis, a near-clinical examination of

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21/12/2022 Ed Pinsent

Hypernormal Curves in Weyl Space

Andrew Raffo Dewar, Ekphrasis Suite (RASTASCAN RECORDS BDR 075) Modernist composition – jazz-ish – for a quartet, comprising Gino Robair,

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20/12/2022 nausika

faux naturel: field recordings demonstrate the artifice inherent in natural world / human-made world polarity

João Castro Pinto, faux naturel, Belgium, Unfathomless, U77 CD (2022) Most soundscape recordings that feature field recordings concentrate on one

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