Drift Studies

Last heard from duo FvRTvR in 2012 with their Gobi Wow record (noted here), and their new vinyl utterance Following Shapes To The Edge Of A Drift (DISCOMBOBULATE BOB009) shows the team of Fritz Welch and Guido Henneböhl are still working their unique furrow of disconnected percussive and electronic noise. As Fritz Welch projects go, I tend to find this one preferable to With Lumps, his side project with Neil Davidson which produces music bordering on the unlistenable, in the best possible way of course. At least FvRTvR sound like they’re having some fun, or a good whole-hearted discussion over a brew or two, rather than contemplating the general deterioration of the universe with crestfallen expressions.

Not a single moment on this white vinyl pressing flies by that isn’t filled with unexpected pleasures, and unpredictable aural swoop attacks – particularly from Henneböhl, the German half of the act, who is evidently more kestrel than man, using oscillators for wings. Welch’s task, which he engages with manfully, involves a certain amount of heft and sweat, and is more akin to punching rivets into the side of a hull than conventional “music” as, say, Les Percussions De Strasbourg would define it. A restless and slightly angrified mood abounds for duration of this spiky and turgid album, and you should start to feel itchy and active after just ten mins of spinnage.

The cover art conveys precisely the right degree of sleaze, mystery, and surrealism in equal measures. There is something quite surreal about most of Fritz Welch’s music, as though he seems determined to remould everything we think we understand about life, then tear it apart with his kneading hands, pressing it all together into a large gobbet of insanity. From 7 April 2016.

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