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The Sound Projector

Better Listening Through Imagination since 1996

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Author: Ed Pinsent

22/12/2022 Ed Pinsent

The Pain of Listening

Swedish dark droner Jarl continues a preoccupation with hearing disorders, as noted on previous release Hyperacusis, a near-clinical examination of

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21/12/2022 Ed Pinsent

Hypernormal Curves in Weyl Space

Andrew Raffo Dewar, Ekphrasis Suite (RASTASCAN RECORDS BDR 075) Modernist composition – jazz-ish – for a quartet, comprising Gino Robair,

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19/12/2022 Ed Pinsent

Magnetic Tape in the Trees

Two cassettes from the small-run Montreal label Presses Précaires courtesy of Anne-F Jacques, whose hand-stamped cover artworks exude charm… Elizabeth

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17/12/2022 Ed Pinsent

The Cigar Box of the Unknown

Second of two cassettes from Bryan Day’s Eh? Label in California… Box of Black (EH?120) is credited to Ypsmael, something

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16/12/2022 Ed Pinsent

The Ineffable Presence

Ilia Belorukov here with Someone Has Always Come (SR008), for the Polish label Sublime Retreat. This Russian composer, improviser, performer

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16/12/2022 Ed Pinsent

2022 Farewells

The Sound Projector Christmas Radio ShowFriday 16th December 2022 Steeleye Span, ‘A Calling-On Song’From Hark! The Village Wait (1970) Hawkwind,

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14/12/2022 Ed Pinsent

Broken Society

Belgian-born Marie-Jeanne Wyckmans is another composer inspired by cinema – and also by dance, theatre, video, TV, and radio, areas

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Robert Normandeau IMED 21174
11/12/2022 Ed Pinsent

The Scholar’s Melancholy

New batch of Canadian electroacoustic CDs from Empreintes DIGITALes. Robert Normandeau’s Mélancolie (IMED 21174) contains five recent compositions from 2013

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09/12/2022 Ed Pinsent

Concrete Mailbox

The Sound Projector Radio ShowFriday 9th December 2022 Marteau Rouge and Keiji Haino, Track04From Concert À Luz, 2009, FRANCE FOU

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08/12/2022 Ed Pinsent

Innovation, Independence, Determination

Got a couple of new cassettes from Bryan Day’s label the Eh? Aural Repository, sent from his California address. Below

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