Cave Allways U.S.A. DRAG CITY RECORDS DC 654 L.P. (2018) That example of composite titling could be a nod towards
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Better Listening Through Imagination since 1996
New promo CDs in The Sound Projector box
Cave Allways U.S.A. DRAG CITY RECORDS DC 654 L.P. (2018) That example of composite titling could be a nod towards
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Jessica Sligter & Wilbert Bulsink Untitled #2 (The Mute) NETHERLANDS UNSOUNDS 62UGCD / GAUDEAMUS NO NUMBER LP (2018) Dutch-Norwegian artist
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dTHEd’s Hyperbeatz Vol. 1 (BORING MACHINES bm094) is a collaboration led by Fabio Ricci, who invited Simone Lanari and Isobel
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American composer Louis Karchin’s Dark Mountains / Distant Lights (NEW FOCUS RECORDINGS FCR225) is a showcase for seven recent pieces,
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French composer and noise maker Julian Ottavi has often been associated with digital process noise, and seems drawn to the
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Latest release from Phil Maguire on his Verz Imprint label is a cassette tape called Three Cities (VERZ IMPRINT #012),
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GGRIL Façons CANADA TOUR DE BRAS RECORDS MICROCIDI 014 D.C.D. (2019) Collaborating with free jazz maestro Evan Parker on your
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Lovely sinister creepoid electronic sounds from Transtilla on their debut Transtilla 1 (OPA-LOKA RECORDS OL1901). This album lulls you into
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Fine China Superbone are a noise-rock band from Holland. Normally I welcome such records defined under this genre, but I’m
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Free improvisation from Europe by three heavyweights on this latest release in the very extensive Improvisors series (KONTRANS 95). Ute
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