Todd Anderson-Kunert, Conjectures, Australia, Room40, RM4110 vinyl record (2019) No, your eyes are not playing tricks and the album cover
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September Shorter Reviews
Found Vegetal Negatives (HALLOW GROUND HG1901) a bit underwhelming at first gazoon, but gradually the low-key electroacoustic compositions of Marja
Continue readingIvory Trade / lilac (self-titled): leaving a lasting impression of a future post-industrial world where inhuman cyber-critters reign
Ivory Trade / lilac, self-titled, Canada, (1.8)sec.records, cassette (2017) Based in Winnipeg, the city made famous as a focus of
Continue readingGlass Braid: a self-contained, complex sonic universe of beauty and oppression
Lisa Lerkenfeldt, Glass Braid, Australia, Vienna Press, Keys to the Fields 010 double cassette (2017) Active since early 2015, Melbourne-based
Continue readingRadio Equipment Directive
From the New York label XI Records here’s a two-CD set Red / Machinic Fantasies (XI 140) showcasing the work
Continue readingConflict & Communion: compressed from base materials, a treasure chest of diamond dronescapes
Uaxactun, Conflict & Communion, Australia, Vienna Press, cassette Keys to the Field 33 (2019) Based in Maitland, a small city
Continue readingUntil I Learn the Language of Vegetable Mineral: songs for the human inhabitants of Planet Earth from an idiosyncratic observer
Viv Corringham, Until I Learn the Language of Vegetable Mineral, United Kingdom, Linear Obsessional, LOR123 cassette (2019) For the past
Continue readingTracer: a haunting evocation of a possible post-apocalyptic future where entropy reigns
Omit, Tracer, United States, The Helen Scarsdale Agency, HMS005 2 x CD (2005) Never one to do things by halves
Continue readingDesert Drone Cycle: a soundscape of worlds disintegrating under water erosion
Cristopher Cichocki, Desert Drone Cycle, United States, Helen Scarsdale Agency, HMS052 cassette (2019) Hailing from the Coachella Valley in southern
Continue readingAcciaccaturas
Here’s a cassette by Phil Maguire, sent to us from Finland by Edward Trethowan and released on his Tavern Eightieth
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