synthesizers – Page 3 – The Sound Projector

31/03/2016 nausika

Gnosis: Themes for Rituals Sacred & Profane, for creatures of free will governed by routines and habits

Allegory Chapel Ltd, Gnosis: Themes for Rituals Sacred & Profane, US, Nostilevo, cassette (2015) “You are not a machine …

23/11/2015 nausika

Blossom: rhythmic dark ambient / atmospheric BM comfort music

Lustre, Blossom, Sweden, Nordvis Produktion, CD digipak NVP019 (2015) Lustre is a Swedish one-man project specialising in rhythmic dark ambient /

10/11/2015 Ed Pinsent

Happy Turner

My teeth are singing after only a few bars of the saccharine buzz that is Hyperion Suites (NOBLE NBL-214), a

04/11/2015 Steve Pescott

Fairfield Circuitry

Russell Haswell & PAIN JERK Electroacoustic Sludge Dither Transformation Smear Grind Decomposition nO!se File Exchange Mega Edit AUSTRIA EDITIONS MEGO

13/09/2015 Ed Pinsent

Easter Rising

Chester Hawkins Apostasy Suite USA INTANGIBLE ARTS IA017 CD (2015) Another all-solo record from Washington DC’s finest proponent of dark

22/08/2015 Ed Pinsent

Hail Hydra

Last noted Dimitris Papadatos in a March 2015 post where he was appearing as one half of Virilio. Now he’s

14/08/2015 Ed Pinsent

Lift Off

The Neural Interval CD (ZOHARUM ZOHAR 084-2) is a comprehensive round-up of just about everything recorded by Nagamatzu, an English

15/05/2015 nausika

The Wedding of Idiots: an introduction into the work of a major Soviet rock music performer

Yuri Morozov, The Wedding of Idiots / Svad’ba Kretinov, recorded 1974 – 1976, released 1977? We first met Morozov last

14/05/2015 nausika

Electronic Music by Young Hungarian Composers: an enjoyable if studious ride through late 1970s electronic soundscapes

Various Artists, Electronic Music By Young Hungarian Composers, Hungaraton, LP SLPX 12371 (recorded 1975 – 1981, released 1983) In the

05/05/2015 nausika

Metamorphoses: Soviet electronic space-ambient renditions of formal classical music pieces

Eduard Artemyev, Yuri Bogdanov, Vladimir Martynov, Metamorphoses, Melodiya, C10—13889-90 (1980) Admittedly the idea behind this album is not very original: