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Better Listening Through Imagination since 1996

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19/06/2013 nausika

Grievous Bodily Charm: a patchwork of hooky tunes that manage to be dull

Mr Vast, Grievous Bodily Charm, Spezialmaterial Records, CD (2013) A kooky retro-Eighties Eurodisco lounge lizard recording this promised to be

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17/06/2013 nausika

Courtis / Kiritchenko / Moglass: three-way collaboration not quite a holy trinity of equals

Courtis / Kiritchenko / Moglass, self-titled, Carbon Records / Gold Soundz / Tibprod / Nexsound / 1000+1 TiLt, CD  I’d

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16/06/2013 Ed Pinsent

Rare Birds

Magda Mayas is a young percussionist from Berlin but her favorite instrument is the piano. And this is sheer luck

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16/06/2013 nausika

Wir werden: duo in the process of becoming a significant music-making unit

Rdeca Raketa, Wir werden, GOD Records, GOD 11 (2013) Second album by a Viennese duo specialising in electroacoustic improv, “Wir

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15/06/2013 Ed Pinsent

The Purloined Letters

Omnivore is Glenna van Nostrand from Cambridge, MA. On her self-titled LP (FEEDING TUBE RECORDS FTR072) the gimmick is that

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15/06/2013 Ed Pinsent

Mirrors Beneath

Phantom Horse produce quite jolly and pleasant music out of their keyboards, guitars and percussive objects, creating a rather dense

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14/06/2013 Ed Pinsent

Rise of the Ptarmigans

The Sound Projector Radio Show Friday 14th June 2013 Glockenspiel, ‘Bellville’ From Dupleix, UK BABEL LABEL / VORTEX BVOR12108 CD

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14/06/2013 nausika

Eternal Zio: free-ranging folk drone improv psychedelia weaves a strange spell

Eternal Zio, self-titled, Boring Machines BM043LP / Black Sweat Records BS003LP, LP (2012) Don’t let that label name Boring Machines

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13/06/2013 nausika

Billow Observatory: insubstantial ambient music that drifts aimlessly

Billow Observatory, self-titled, Felte CD 003 (2012) Billow Observatory is a duo of two musicians, both with a fair amount

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12/06/2013 nausika

A View that won’t Change: hard-rocking melodic proposition with mood music and ambient surprises

Vaquez, A View that won’t Change, self-released CD (2012) The work of one man, Andrew Phillips, but sounding much like

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