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Better Listening Through Imagination since 1996

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10/08/2012 Ed Pinsent

Ra to the Rescue

The Sound Projector Radio Show Friday 10th August 2012 Sun Ra And His Arkestra, ‘God is More than Love Can

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09/08/2012 Ed Pinsent

Electric Zebras

Electronic Panorama As I write the Editions Mego label are engaged on a programme of repackaged vinyl reissues of historical

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09/08/2012 nausika

Per Flagellum Sanguemque, Tenebras Veneramus: a more refined approach to bombastic blackened noise soundtrack music

Gnaw Their Tongues, Per Flagellum Sanguemque, Tenebras Veneramus, Crucial Blast Records, CD CBR93 (2011) On this massive missive of extreme

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08/08/2012 Ed Pinsent

The Rector lived in Hampshire

Very eccentric and unusual record here by Socrates That Practiçes Music, one which we’ve had leaning its way in the

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08/08/2012 nausika

Vantaa: Vladislav Delay at his warmest and most beautifully lush

Vladislav Delay, Vantaa, Raster-Noton, CD R-N 136 (2011) Reliable electronic-minimalist warhorse Vladislav Delay surfaces with “Vantaa”, a beautifully warm and

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08/08/2012 nausika

Behind the Throne: black metal / noise tornado is coming at us

Sutekh Hexen, Behind the Throne, Magic Bullet Records, CD (2012) No sooner did Sutekh Hexen’s first full-length album appear on

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07/08/2012 Ed Pinsent

Liquid Fear and Pez Rock n Roll

A hefty bundle of CDRs and CDs arrived 14 February 2012 from digital sadist Miguel A. García in Bilbao. We

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07/08/2012 nausika

… On Sea-Faring Isolation: warm oceanic sound cocoon to float away in

Dolphins Into The Future, … On Sea-Faring Isolation, Fonal Records, CD FR-84 (2012, Fourth Edition) Originally released on Not Not

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06/08/2012 Ed Pinsent

The Past Sure is Tense

Hear Richard Sanderson‘s melodeon improvisations radically transformed on Tone Chambers (LINEAR OBSESSIONAL RECORDINGS LOR 003)…it’s an unsettling listening experience even

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05/08/2012 Ed Pinsent

Sculptures, Tapes and Bats

The Jacques Lasry Effect Some quite nice percussion effects from Marcello Magliocchi on Music For Sounding Sculptures In Twenty-Three Movements

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