The Dancer on the Hill (ARCHITECTS OF HARMONIC ROOMS & RECORDS AOHRAR02) is the latest LP from Steffen Basho-Junghans, the
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Tag: acoustic
Sand Won’t Save You
Summer of Seventeen with their self-titled record (KR081) on Karl Records…this appears to be an American “supergroup” of avant-gardish players,
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The Thousand Buddha Caves: immersive soundscape music tracing a journey and a career
David Shea, The Thousand Buddha Caves, Australia, Room40, RM4125 CD (2021) David Shea has had a long and quite extraordinary
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Seance: seven perfect songs with just tender voice and murmuring acoustic guitar
Maxine Funke, Seance, Australia, A Colourful Storm, ACOLOUR035 vinyl LP (2021) Quietly carving out her own distinct niche as a
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Dagara – Gyil Music of Ghana’s Upper West Region: trance-like pointillist xylophone music
Dagar Gyil Ensemble of Lawra, Dagara – Gyil Music of Ghana’s Upper West Region, United States, Sublime Frequencies, SF118 limited
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Sound Storing Machines – The First 78rpm Records from Japan, 1903 – 1912: early recorded Japanese music still sounding fresh after over 100 years
Various Artists, Sound Storing Machines – The First 78rpm Records from Japan, 1903 – 1912, United States, Sublime Frequencies, SF115
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Unknown Outer Forces
Latest release from Reinhold Friedl is Krafft (ZEITKRATZER PRODUCTIONS zkr0027 / BOCIAN RECORDS zV), a new work of contemporary composition
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Food of the Gods
Swedish player Christer Bothén is renowned for his playing of the bass and contrabass clarinets, and I think his career
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The Humming of Summer Lawns
Australian cellist Judith Hamann is very active of late – she released at least three solo records in year 2020,
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A Greener Future
New Hermitage are an improvising group from Halifax in Canada, led by Andrew MacKelvie who plays saxophones and clarinet; the
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