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Tag: field recordings

21/05/2021 nausika

Insects are: a rich and lush sound drone-noise universe in the heart of Osaka

Masayuki Imanishi, insects are, Belgium, Unfathomless, U69 CD (2021) Burying your head in this rich and lush 40-minute soundscape of

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16/05/2021 nausika

The Thousand Buddha Caves: immersive soundscape music tracing a journey and a career

David Shea, The Thousand Buddha Caves, Australia, Room40, RM4125 CD (2021) David Shea has had a long and quite extraordinary

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08/05/2021 Ed Pinsent

The Shadow Queen

Got a couple of new cassette tapes from Anne-F Jacques in Montreal. She is the creative mind behind the label

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07/05/2021 nausika

Anthology of Experimental Music from Peru: an outstanding collection of music with passion and raw quality

Various Artists, Anthology of Experimental Music from Peru, Italy, Unexplained Sounds Group, USG068 CD (2021) With Peru increasingly coming under

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26/04/2021 Ed Pinsent

A Pleasant Vineyard, Sing of It

Italian sound artist Nicola di Croce has released 47AD (UNFATHOMLESS U64) for the Belgian Unfathomless label, home of fine field

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22/04/2021 Ed Pinsent

Philosophy of The Ocean

Impressive record from young Italian player Alessandro Ragazzo…his Cinque Studi sul Paesaggio (DISSIPATIO DISS 001) immediately strikes the listener as

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15/04/2021 nausika

Mien (Yao) – Canon Singing in China, Vietnam and Laos: hypnotic and unearthly singing from minority hill tribes

Various Artists, Mien (Yao) – Canon Singing in China, Vietnam and Laos, United States, Sublime Frequencies, SF117 limited edition LP

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10/04/2021 nausika

Dagara – Gyil Music of Ghana’s Upper West Region: trance-like pointillist xylophone music

Dagar Gyil Ensemble of Lawra, Dagara – Gyil Music of Ghana’s Upper West Region, United States, Sublime Frequencies, SF118 limited

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02/04/2021 Ed Pinsent

On Tablets Not Of Wax

Got a couple of good cassettes from the More Mars label in Rethymnon, Greece. Marc Baron has made S<–> N

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30/03/2021 Ed Pinsent

Comme Ci Comme Ca

The duo of Geins’t Naït and L. Petitgand continue their ongoing series of odd vocal-industrial compositions with Like This Or

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